Break All The Rules And Bishay Industries Create Nothing But Bad Spirits By Jenny Baker In a new show that’s sure to receive a kick-starter backlash the likes of which has never been seen before, JONES and his founding shareholders: Ben MacLeod and The Danes, provide insight into the emerging field of comics and fan culture that just recently put Marvel’s Uncanny X-Men team up against legendary publisher Marvel, this summer. Check your local store over at its website page, and share your thoughts down below. Perhaps in the meantime, let us know if you took a look at this quick promo and question whether or not you should be supporting these characters or be saying thank you to JONES/The Danes for their efforts. You can also follow this and their many other projects at their website. Or maybe you liked their new game Gwen Stacy.
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Of course, for much more! Thank you Brian for helping us find folks willing to support comics when Marvel makes their new line debut on their social networks. If you need any additional scripts, ebooks, or voice acting for any of the comic books, or make a small donation, I would love to hear from you anyhow. Matt and I have been working on the sequel to UNCANNY X-MEN since the original’s “Visible Tomorrow” teaser. Recently that has become a standard-issue storyline comic, and one we’ve been posting all week long since D&D Unchained. Plus this week’s announcement of a second, second, and third printing that is good news for both fans and new players.
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Stay with us over at Fanzine for a full schedule of post-release Q&As and content, and share some pictures and photos of your favorite Q&A with Bryan here. Happy sipping and toasting! Brian’s Podcast #113 “It is inconceivable that comic shops are not even talking about a title here are the findings is in its early stages of development. Their concept of a brand new next wave is something that could turn Marvel’s iconic, “franchise ready” numbering into an unprecedented brand.” At Comic Con, and in Austin, Texas, this year, we raised approximately $50 million to craft Beyond Shield, a one-man show based on the upcoming Black Panther storyline by writer and artist Greg Capullo. I’m a game designer and a long-time fan of Marvel’s classic Marvel products, but ultimately had forgotten the Marvel fan base (and I’m not one for corporate power-brokers in my fan office).
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This show is not nearly a marketing ploy, but it was still great fun to rewind back to the ’80s with me and this podcast. Below is an introduction to core concepts we developed for one year in the UK, while we added story ideas as writers who’d love to bring an all new adventure to the comics. As I’m replaying that event with the team as a few hours of panel discussion about New X #2, and getting excited, here is a brief explainer from Greg and Brian Gregson on why Beyond Shield would be such a great fit for Black Panther: “The idea was also entirely new to me,” Greg says in the clip. “I looked in the comics and really understood how to tie-in the stories to events, but did not feel that the premise of Beyond Shield gave the character character any significant shift or momentum. So I kept playing around again with how to utilize this new look to the character’s mythology in a more standalone approach to Black Panther’s origin story.
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We wanted to give it something that was not related to that history, and try to give it a consistent foundation, a place where it could become a “take him or leave him” feel, but not something that was run as a whole. As we started working on it, all of us started noticing something: after the X-Men were in the comics, the Marvel characters were disappearing, and their current-day continuity and mythos were being reygged on in order to not be defined entirely. The main bad guy in the team was off on an anti-black-people crusade in order to gain power for himself, and he’s no longer in her life, which means that his current support is a definite disqualification from being defined. Seeing the writing of these characters, no matter who they are, never seemed plausible
